Festival of New Writing
in Aberdeen and
North-East Scotland
1st–30th September 2010
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Review: Still Voices
Pete Stollery and Elspeth Murray distil acousmatic music and poetry from the sound
of whisky
GlenDronach Distillery, Forgue [Map]
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Pete Stollery and Elspeth Murray
Photo by Ruth Bean
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Sound installation in the still room
Photo by Ruth Bean
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Wednesday September 8th was a damp, dreich night but inside the GlenDronach Distillery
an evening of magic was being distilled. Its centrepiece was an electro-acoustic
composition by Pete Stollery, who specialises in acousmatics, the technique
of recording real life sounds then computer-mixing them into a soundscape. For his
piece Still Voices he recorded the sounds of the coal fired distillery system
before it was converted to oil in 2005. Sounds of rolling barrels, coal fires, voices
of working men inside, complemented by bird song and river outside, were both evocative
and beautiful. The audience heard it twice with discussion of its qualities in between.
While many put pictures to the sounds, all were transported into a heightened aural
awareness. Similarly, his piece ABZ/A was a glorious mix of Aberdeen sounds
— airport, docks and Union Street. Fascinating!
Complementing Pete was Elspeth Murray, a multi-gifted poet and performer with a
love of sounds. Her lively delivery and animated presentation was a delight. Her
poems are quirky, humorous yet also thoughtful and perceptive. We were treated to
R. Burns's Red Red Rose (in fluent and expressive Czech!), a sonorous
alphabet of audio jargon from A–Z, Your Life is a Work of Art, Ten Questions
for a former Pot Still Worker and Whisky's Whispered Listening.
Both artists celebrated the "energy of whisky". The audience departed into the dreich
night with a warm glow!
Margaret Hearne
Gordon Soundscape installation
Photo by Ruth Bean
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Elspeth Murray after the performance
Photo by Ruth Bean
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